Ed Helms and Amanda Seyfried Flirt Through a Gas Station Window in ‘The Clapper’ Clip
Dito Montiel needs a win right now. The noted indie writer/director was the object of some ridicule (from me) when it came out that his latest feature, the Shia LaBeouf-led war picture Man Down, attracted exactly three viewers in all of Britain. The movie didn’t fare so well stateside either, and Montiel’s previous effort Boulevard got lost in the shuffle when star Robin Williams abruptly died prior to release. Montiel’s coming returning in grand fashion this month with a premiere at the Tribeca Film Festival for his latest film The Clapper, an adaptation of the novel he wrote in 2007 titled Eddie Krumble Is the Clapper. And with a new clip surfacing online today, we can make our own judgement on whether Montiel has cause for hope or if he should hedge some of those bets.
Seat-Kicking Incident Leads to Stabbing at Los Angeles Movie Theater
A few years ago, I wrote up a brief item about an incident taking place at Los Angeles’ AFI Film Festival wherein an irate woman maced a man in the face for having the gall to ask her to turn off her cell phone during a screening of Mike Leigh’s J.M.W. Turner biopic Mr. Turner. “Wow, being at the movies sure makes people do crazy things!” I thought to myself. “I wonder how long it’ll be until the next time I get to write about a violent movie theater conflict over petty nonsense.” That day has come at last, and this time [beat to let the moment breathe] the stakes are even higher.
Dwayne Johnson Will Go Down-River with Disney’s Latest Ride-to-Film Adaptation ‘Jungle Cruise’
Over the years, Disney’s made a rich tradition out of refashioning their amusement park rides as feature film attractions. There have been successes (Pirates of the Caribbean and its many demon-spawn sequels, and Eddie Murphy vehicle The Haunted Mansion), flops (the Tomorrowland movie, the horrifying Country Bears picture) and whatever Brian De Palma’s Mission to Mars movie was. But the massive entertainment conglomerate has not given up hope on its cross-vertical synergy potential. Today brings the news that yet another of Disney’s thrill-a-minute rides will soon make the jump to the big screen, and let me break it to you now that a hideously insensitive It’s a Small World movie remains, for the moment, an impossible dream/nightmare.
New ‘The Boss Baby’ Trailer Riffs on ‘Beauty and the Beast’
The latest trailer for the upcoming DreamWorks film The Boss Baby — an animated comedy featuring Alec Baldwin voicing a baby who is, bear with me here, a boss — was specially cut together to be paired with Disney’s Beauty and the Beast remake, which premiered this past Friday. The video, jocularly titled “A Tale NOT As Old As Time” in reference to the line from the 1991 film’s theme music, features the Baldwin-voiced infant making Cogsworth and Lumiere play with one another as playthings before he directly accosts the audience. For a movie that would appear to be marketed to children, it sure does contain a joke about sticking a candlestick in there somewhere.
Live-Action ‘Aladdin’ Holds Open Casting Call for Golden-Throated Middle Easterners
Hey, are you between the ages of 18 and 25? Are you of Middle Eastern descent? Are you free from April of this year right on through to January 2018? Have you ever been described as ‘telegenic,’ and most importantly, can you hit a high C? Then good news, you have a solid shot at landing one of the starring roles in Guy Ritchie’s upcoming live-action Aladdin remake for Disney!
Don‘t Let Your Life Get Stolen As You Watch the ‘Ghost in the Shell’ Super Bowl Spot
Ah, the Super Bowl: the one magical night each year in which the nation unites under the binding forces of domestic macrobrewed beer, buffalo chicken wings, and good ol’ American football. Everyone’s got something to enjoy at the big game, whether that’s the competition itself or, for those of us unable to enjoy sporting events due to PTSD over a childhood of getting picked last, trailers for a movie in which Scarlett Johansson plays a sexy police robot. The Super Bowl regularly doubles as the premiere for a handful of brand new previews of upcoming blockbusters, and Paramount has done us all the solid of giving us a three-day jump on the fun.
Things Blow Up Real Good in ‘Transformers: The Last Knight’ Super Bowl Spot
Transformers and the Super Bowl are a match made in heaven. Is the NFL’s biggest night not, in its own way, the Michael Bay of televised sporting events? Massive budget, fetish for pyrotechnics, close-up shots of muscle-bound men glistening with hard-earned sweat, oodles of American patriotism, very few women, an overall roiling undercurrent of homoerotic tension — when the new TV spot for Transformers: The Last Knight runs on Sunday night during the big game, it’ll be difficult to tell where the football ends and the gigantic alien robot battles begin.
Hear Mark Hamill Make Trump Tweets Slightly More Villainous as the Joker
The most widely recognized iterations of Batman’s constant foe the Joker would probably have to be Heath Ledger as the unchained mad-dog of The Dark Knight, Jack Nicholson as an urbane creep in Tim Burton’s 1989 film, and to a lesser extent, Cesar Romero’s campy turn in the goofy TV series from the ’60s. But Mark Hamill logged more hours as the Clown Prince of Crime than the rest of them put together, voicing the Joker in the long-running animated series and its many spin-offs. The man with the greatest claim to the Joker persona dusted off his special crazy-voice this week for a more pointedly political purpose than the usual cocktail-party entertainment.
‘Wayne’s World’ Returning to Theaters in February (Party Time! Excellent!)
Schwing! Party time! Excellent! We‘re not worthy, we’re not worthy!
Zsa Zsa Gabor, Embodiment of Hollywood Glitz, Dies at 99
Before the era of reality television popularized the concept of “being famous for being famous,” Hungarian-born actress Zsa Zsa Gabor elevated celebrity to its own sort of art form. She brought her European sense of sophistication to a handful of big-name films as their star, including John Huston’s Moulin Rouge. (The famed director described Gabor as a “creditable” actress.) Mostly, however, she commanded gossip headlines with her flashy and impossibly ritzy personal life. The revolving door of husbands, the uniform of furs and jewels she was seldom seen without, the way she purred “dahhhhling” to everyone she addressed — even offscreen, she was a larger-than-life character.